���Ҵ�ý�ƽ������

When it comes to 20th- and 21st-century music, Professor of Music Theory Daphne Leong—along with her colleagues in the world of rhythm in music performance and scholarship—engages in intense research and endless experimentation which brought her to Montreal’s McGill University for a recent residency.

EVENT CANCELED.

The American Music Research Center’s interim director, Associate Professor of Ethnomusicology Austin Okigbo, shares the center’s fall semester highlights—including free performances of “Song of Pueblo” on campus and in Pueblo, Colorado.

“A Boulder treasure”—We’re celebrating the inspiring, illustrious career of longtime CU Presents Executive Director Joan McLean Braun who will retire at the end of this academic year.

The Cleveland Orchestra’s biennial residency at our College of Music returns for three days packed with sectionals, rehearsals, mock auditions, master classes, a Q&A and a Faculty Tuesdays concert.

The Sphinx Performance Academy has changed the lives of thousands of underrepresented young musicians, offering a curriculum that includes lessons, master classes, recitals, career enrichment sessions and mentorship.

Professor of Composition Jeffrey Nytch—who directs the College of Music’s Entrepreneurship Center for Music and who was recently awarded a MacDowell Fellowship—considers the application of entrepreneurial principles as essential to his creative practice.

In this edition of the Dean’s Downbeat, Dean John Davis offers reflections and a vision for the future as he shares highlights from our newly revamped annual digital magazine—Colorado Music. “...our mission matters more than ever. Because what we do as musicians requires not only skill, but humanity—that is, the simultaneous conveyance of emotion, connection and understanding. Colorado Music takes stock of how far we’ve come.”

In addition to Carl Orff’s “Carmina Burana” and our collaboration with El Sistema Colorado, the College of Music’s upcoming CU at Boettcher concert will feature the world premiere of composer Carter Pann’s new work: his five-movement, 17-minute Symphony No. 3–“On The Importance of Our Democracy.”

Erika Gossett will graduate next month with a BM in flute performance, as well as a BA in media studies, a minor in business and a Music Entrepreneurship Certificate, exemplifying the College of Music’s universal musician vision. Additionally, her climate change-focused venture, Piña Designs, is a finalist in the New Venture Challenge. Finals are April 12: Join us!