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CTD senior EO Rafelson has fabricated a high-tech kaleidoscope for his capstone project as well as developed a way to project the patterns generated onto a planetarium dome. His project, “Kaleideo,” will be presented at Fiske Planetarium on Tuesday, Nov. 9 for two free shows.

In virtual reality, when you reach out and try to touch a visible surface, it normally isn't there. Using a swarm of Rubik's Cube-sized, shape-changing robots, the illusion becomes physical.

Sasha de Koninck, a member of ATLAS Institute's Unstable Design Lab, presented her future heirloom project, The Research Lab of Ambiguous Futurology, at the "Making and Doing" exhibition at the 4S hybrid conference, held Oct. 6-9, both in Toronto and virtually.

To assist first responders and site operators, the ACME Lab developed ARMAS—augmented reality maintenance and safety—a marker-based AR system that lets the user see color-coded visualizations of battery cells inside containers.

THING Lab researchers, led by recent PhD graduate, Ryo Suzuki, developed a swarm of shape-changing robots that move furniture around a room, opening up new haptic ideas for virtual reality.

ATLAS Instructor Annie Margaret  is creating a Digital Wellness Summer Program for middle-school girls that provides strategies adolescents can use to minimize the negative psychological impacts of social media.

Two teams from the ATLAS Institute were selected to participate in Catalyze CU, a highly selective, summer-long startup accelerator that combines world-class mentorship, funding and dedicated co-working space.

ATLAS PhD students Katie Gach, Keke Wu, Fiona Bell, Kailey Shara and Sasha Novack, and Affiliated PhD students Gabrielle Johnson, Dreycey Albin and Varsha Koushik recently received graduate school awards.

ATLAS researchers have 10 published works and one special interest group associated with the CHI 2021 conference, the world’s preeminent conference for the field of human-computer interaction.  Held virtually, CHI 2021, also known as ACM’s Conference on Human Factors in Computing Systems, took place May 8-13. 

During the pandemic lockdown, Laura Devendorf used textiles woven with resistive yarns to document a particular part of her life–the daily “forces” that pressed against her body, especially her two children. Two of her memory fabric innovations are being exhibited at the The Centre for Heritage, Arts and Textile (CHAT) in Hong Kong as part of the Interweaving Poetic Code exhibition.